About the Artist Daniel Bonnell
Daniel
Bonnell graduated from the Atlanta College of Art in 1978 with a
Bachelor of Fine Art Degree. While at ACA his painting studies were
under the renown New York abstract expressionist painter, Ed Ross.
His post graduate studies were under the photographer Ansel Adams
and the designer Milton Glaser.
His work is found in private
collections and churches around the world.
While living in New York City
Mr. Bonnell focused on the painting techniques
of Rembrandt via the Metropolitan Museum
of Art. The Frick Collection was also another
very valuable source in his studies.
His gallery
work is represented by the Hayden-Hays
Gallery at the Broadmoor in Colorado
Springs.
Testimony of Daniel Bonnell
As an 18 month old child (in 1956) I contracted an illness that Doctors felt
would take my life. The illness was unknown and as a result I was placed into
an isolation room within a hospital for eight days. This meant that I was
not allowed to even see my parents.
To an 18 month old child your parents are your whole world, especially your
Mother. The emotional crisis of abandonment of parents at that age is one
that is too hard to process. Yet I was not abandoned. God was with me
during those eight days. There was no visual miracle or image that I hold
on to as if burned into my mind. There was no voice speaking from the other
side down to me. I was simply held in his arms in my confusion of loss. How do
I know this? I have no idea.
God’s grace held me then as he holds me now.
All my paintings, in an indirect way, lead back to those eight days left alone
as a child.It is as if I had tasted being home in the broader heavenly sense of the word, while I was held by my heavenly Father. My life it seems is a journey to return
home to Him once again. It is a pilgrimage back to those 8 days with Him. A longing to be held once more as He did then. All my paintings are but phone calls home to my Heavenly Father.
The main compass home for me is the cross. Our freedom, our salvation, our
true self is only found in the cross and its purpose. This is why you will discover
the cross in an indirect way in most of my paintings, though hidden. The
models of denominations which man designed as the true church of Jesus Church
fall short but the model of the cross never fails.
My paintings are rough, bold and often dark. They are anything but perfect
academic representational images as found on the ceilings of cathedrals.
They are paintings that help me work out my salvation. They are paintings
that choose to be loud and brash created in a realm of half doubt yet willing
to risk it all, to pursue an honest message as opposed to art that loses its
message in its technique to please the eye or intellectual position. Art is about
the senses first and the mind follows. It should always be the heart first and then
the mind. It is beauty that sustains the test of time not how or why or for
what purpose. Picasso’s Guinerica has sustained the test of time because of
it tragic beauty. It hangs as a monument against war in the United Nations.
Very few individuals can give you the history behind the painting.
The struggle of being human is also evident in my paintings. I struggle every day
this side of eternity. Life is painful for me. I usually hate my dreams. I have daily
anxiety though I consider myself a man of faith. I fail my Lord, myself and my family in many ways every day. Yet, my life seeks daily to be abandoned to the Christ and He keeps me close— just as when I was 18 months old in that isolation ward.

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